藍衫軍的懶人誌

美國版2月28日要發"傲慢與偏見"的dvd
英國已在2月6日發行了, 該買哪一種好呢?
幕後花絮不同, 美國版還分full screen和wilde screen
英,美版的對白竟然也有些許不同
                     美版封面

It's the role that's made many a steely woman swoon: but has Matthew Macfadyen - a self-professed 'pudding head' - got what it takes to play the dashing Mr Darcy on the big screen? Absolutely, says Marianne Macdonald

In pictures: Pride and Prejudice

Matthew Macfadyen is the new Mr Darcy in Working Title's forthcoming film of Pride and Prejudice – and he is clearly stunned by the electrical storm he has already generated. At the end of a day of international press in a West End hotel he has the dazed look of a man who has been hit hard about the head. 'I guess I'm bemused,' he admits in his deep voice, rubbing his head rather wearily with his hand. 'I didn’t understand it was such a big deal playing Darcy. To me it was just another job. In terms of how daunted I was, playing Prince Hal [in Henry IV at the National Theatre] was terrifying – much more so than playing Darcy.'

	Revelation: Macfadyen as Darcy

Had he read the book? 'No. And I hadn’t seen the Colin Firth version. I just knew Mr Darcy was Mr Darcy. So I had no preconceptions. And I wasn't burning to play Darcy. Perhaps I shouldn't say that. I think if I'd read the book, I'd have thought, "F— it, it's one of those parts."' He trails off. Has he seen the Firth version now? 'No. We've got it. I got it from my folks. It's in the video pile. So one day, when the family are all out, I'll probably sit down and watch it. But I just haven't. I'm not that curious, really.'

Macfadyen talks at the lowest possible pitch, rarely finishing his sentences. He fixes his gaze on the window or the floor as he tries to dig up the word for whatever he wants to say. The 31-year-old genuinely seems to be amazed that he is just about to become the nation's new sex symbol, though anyone could have warned him what would happen if he took the role of the proud heir to Pemberley opposite Keira Knightley’s Elizabeth Bennet. He admits himself that he can see the attraction of Darcy. 'Yes, he's terribly attractive, because he's…' He trails off. 'But I can’t see myself as a sex symbol in that role. Not at all! I never – it's hard, isn't it, because I never… Like, the actor in me would always like to be more dashing, or slimmer, or have nicer hair. You know what I mean? I see pictures of Colin Firth and think, "That’s Darcy." I see my big face and my funny hair and I think, "Pudding head!"' He bursts out laughing. Does he see himself as good-looking? 'Um. No. Not classically good-looking.' Could he pull women when he was single? 'No! I wasn’t chatty-uppy.' Why not? He gives a faint, wry smile. 'Not confident enough.'

I must say that I thought yet another Pride and Prejudice was a rather yawn-worthy prospect – Colin Firth's turn as Darcy seems only yesterday. That television series (it was, in fact, ten years ago) set the critical standard. But, unexpectedly, the Working Title version is sublime, intimate, glorious. Keira Knightley is good as Lizzie, but Macfadyen as Darcy is a revelation. He makes the part his own. Far better than Firth.

Macfadyen's Darcy is wounded, boyish, broken. Stiff with inhibition, his face misshapen, his eyes eerie distant chips of light blue, he is magnificent. His sexuality is far more understated than Firth’s, but no less powerful. But this should come as no surprise to discerning viewers. Macfadyen isn't an A-list star – yet – but his intelligent, brooding performances on stage and on television – as Hal in the recent Henry IV at the National Theatre, as Tom (Quinn) in the spy series Spooks, as the Labour special advisor Paul Tibbenham in the BBC drama The Project, and as the traumatised war photographer Paul Prior in the recent New Zealand indie film In My Father's Den – have marked him out as an actor of true passion and substance.

In person, however, he is very different from his brooding alter ego. For one thing he is more chunky – he must have put on a stone since filming. But mostly more ordinary. He is not at all the broken man with bloodhound eyes who endures Keira Knightley's rejection in the driving rain. Incredibly nice, and honest, and mild, you could mistake him for a classic public schoolboy – if it wasn’t for the razor-sharp sensitivity and unusual thoughtfulness. He keeps tugging at his baggy linen shirt in a nervous gesture and at one point hugs a cushion to his chest.

'I had an idea that Darcy was like the adolescent at the party who's terrified,' he says. 'Who's, you know, quite popular, but who thinks very deeply and is terribly shy.' Is he like that himself? 'Probably there are bits of it in me. I was quite a shy child. I would get terribly nervous and throw up before my birthday party. And then I would be fine. I feel the same now. I get nervous, then it’s fine.' And the thinking deeply? He laughs.

'No, I think I think less and less deeply as life goes on!'

Although Pride and Prejudice has been adapted five times for television by the BBC, it has only been made into a film once, in 1940, with Laurence Olivier as Darcy. Working Title auditioned more than 100 twentysomething actors before casting Macfadyen. 'They saw a bunch,' he agrees. 'Then I met Joe [Wright, the director]. And read. Then I was told it was all off. With me. I think they wanted names. And I thought, "That's fine." Then it was on again. Because they had Keira. So I went and read with her. And screen-tested. And waited a long time!'

Was he thinking it was a good job to get? 'Yes. Because it's Working Title. It would be a big career step. You think, careerwise, "That would be quite clever." But you think, "It's Darcy, so the knives will be out." I remember someone saying to me, "I’m sure a lot of actors have passed on it because it’s been done so…"' His sentence, characteristically, trails off. 'Though I don’t know why they would.'

I ask how he got on with Keira Knightley. 'She was a delight,' he says. 'She came straight on to the set from one film, and was going straight off to the next. And she was fantastic. So self-possessed and connected.' But they didn’t have jolly nights in country pubs while on location. 'Because I wasn’t there very much. I felt a bit po-faced sometimes, because I'd turn up and do a scene and go back to London. And Keeley, my wife, was pregnant at the time, so I sort of dropped in. He's not in it that much, Darcy, actually. And they gave me a personal trainer. So he'd turn up at my house and I'd have to go running. So it was vodka slimline in bed watching f—ing Newsnight worrying about Keeley and whatever was in her tummy.'

The actress Keeley Hawes is his wife of three years. She was pregnant with their daughter Maggie during the shoot. In fact, Macfadyen's only previous experience of serious press attention was when she left her husband for him after they fell in love on the set of Spooks. Hawes had been with the freelance cartoonist Spencer McCallum five years, but they were only married eight weeks at the time; she and McCallum had a 20-month son called Myles. Paparazzi staked out the house. 'I realised the mistake I'd made and where I should be, and where I wanted to be, so I did something about it,' is how Hawes explained it in a recent interview. 'It was a bit weird,' Macfadyen admits now, of the press frenzy. 'You never think it's going to happen to you.'

Was their falling in love romantic? 'It was. But difficult.' What attracted him? 'I don't know. I just thought, "Oh, God! Here we go!" Just that feeling! She's lovely and funny and all the rest. But I just thought, "Phwoar! Fancy you!"' Did he fall in love easily? 'Yes. I like being in love, if you know what I mean. More than not.' But he didn't expect it to happen in those circumstances? 'No. No!' I tell him Keeley had said recently that he wasn’t very romantic, and he gives a great bark of laughter. 'Did she? Because my vanity is I'm terribly romantic!' He grins. 'But being married is lovely. Keeley's been in Jersey recently doing a Thomas Hardy. So I’ve been going back and forth with the little ones.'

Their daughter Maggie is two. 'She's bliss,' her father says with delight. Macfadyen and Hawes and the children live near Twickenham and he would love to have more, he admits. He says he is much happier 'cooking and faffing round' at home than going out. When I ask him to describe his perfect day he paints a domestic picture: 'Wake up, have a bowl of porridge, play with the kids. I would surprise Keeley and take her somewhere, very quickly.' If you hadn't seen him perform, it would be hard to believe there was much going on in there at all from his tentative manner and sweet-natured smile.

But the mildness hides a steely ambition. Macfadyen was awarded a drama scholarship at his boarding-school, Oakham School in Rutland, and went straight from there to Rada aged 17. His mother Meinir (her name is Welsh) is herself an actress turned drama teacher. He remembers her directing him in a holiday production when he was at school. But he says firmly she wasn't an inspiration. 'I don’t think what she did would have made any difference. She wasn’t pushing me in the wings, and she never taught me.' Did she give him notes now on his performances? 'No!' He finds the idea absurd. 'No, they're lovely, my folks, very sweet.'

Proud heir: Macfadyen with Keira Knightley in Pride and Prejudice

Macfadyen spent his twenties doing the classics. He joined the acclaimed theatre company Cheek by Jowl in 1995, the year he left Rada, and made his debut as Antonio in The Duchess of Malfi. The following year he starred with the Royal Shakespeare Company as Demetrius in A Midsummer Night's Dream at Stratford. He then did a lot of touring, bits of television, and had supporting roles in films including Maybe Baby (2000) and Enigma (2001). 'I'd work solidly throughout the year and be in debt at the end. Always,' he says. 'But it was great.' He pauses. 'I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy – there’s further to fall. All these little worries.'

But they surely aren't justified. In 1999 Macfadyen was nominated for a National Theatre Ian Charleson Award for best classical actor under 30. In July he won the best actor award for In My Father's Den at the New Zealand Screen Awards.

I ask what is next and he says maybe a little indie film in Ireland, but he doesn't know. I ask if it's true the Bond producers have approached him. 'Yes, they might have,' he admits. 'I don’t know about Bond. It's a weird one, isn't it? It's a bit camp. A bit kind of… It would change your life.' What he really seems to want is to play the great classical parts. Though Hollywood is also an option. 'It would be blissful to do a play and then a film. Because after 140 shows you’re longing to be picked up and given a cup of tea! We get terribly excited about the idea of lots of money but quite reassuringly think…' He trails off, again. 'Because if you really wanted to be rich, you could stay doing a series. You could put yourself up for Hello!'

As I leave he says, 'Do you really think this movie will be big?' I do, I say. I think it will make you really famous. 'It's bizarre!' he says. And as if he can't stop himself, he gives a great boyish grin of wonder and delight.

 

'Pride and Prejudice' opens on Friday

Watch the trailer for Pride and Prejudice

Darcy on screen

1938 Andrew Osborn is Darcy in the first of six BBC adaptations, which races through the plot in just 55 minutes

1940 Laurence Olivier takes the role in Aldous Huxley's adaptation for MGM and is marvellous despite his qualms. 'It was difficult to make Darcy anything more than an attractive-looking prig,' he said

1952 Peter Cushing brings a chill to proceedings as the BBC’s second haughty hero

1958 The BBC again, this time with Alan Badel in the lead. Jane Austen, noted one critic, would have 'switched off and listened to a pianoforte recording instead' – had she had a gramophone, of course

	Bridget Jones's Diary

1995 Colin Firth – a lake, a wet shirt, those sideburns. No more needs to be said

2001 Firth returns as Darcy in the film of Helen Fielding's modern fantasy, Bridget Jones's Diary

2003 Orlando Seale brings a British stiff upper lip to a Mormon adaptation, set in Salt Lake City and punningly entitled: Pride and Prejudice: a Latter-Day Comedy

2004 Martin Henderson, a graduate of the Australian soap Home and Away, is cast opposite former Miss World Aishwarya Rai in Gurinda Chadha’s Bollywood confection, Bride and Prejudice

2 September 2005: 'Every girl is looking for her Mr Darcy' [interview with Keira Knightley]

2 September 2005: Screen life of a romcom

1 September 2005: 'Ambition? I'd rather retire' [interview with Brenda Blethyn]

28 August 2005[News]: Colin Firth was born to play Mr Darcy. So can anyone else shine in the lead role?

抱著超期待的心情去看首映晚場, 果然沒讓人失望, 戲院的觀眾也很捧場, 大家都笑得很開心,連男生也不例外,看完又衝下樓和妹妹繼續看第二遍我瘋了我瘋了, 但就是好看,讚呀!!!!!
結局好浪漫呀!我喜歡, 浪漫到讓人有點不好意思 以前就很想看有沒有人可以拍他們結婚後的樣子,雖然也只有一點點但我很爽了,演達西的我都會煞到嗎?XD 和柯林佛斯一樣, 剛開始看95年BBC版本的傲慢與偏見, 第一眼就覺得"哇咧..好醜",後來也是越看越耐看,甚至還成了他的影迷, 馬修麥迪恩也好不哪去,現在也是被他迷死了 好迷人又藍得好憂鬱的眼神啊, 綺拉耐特莉也演的不錯, 最搶眼的要算班納特夫婦了吧, 果然薑是老的辣,  反派威卡的戲真少, 不過金髮藍眼又綁個馬尾, 也比BBC的威卡更符合多了,演柯林斯表哥的也演的恰如其分,幕後訪問覺得他蠻會自嘲的,可惜大姐jane的台詞和戲分都少, 演賓利先生的只會可愛的傻笑,演賓利小姐的真是夠漂亮冷酷, 我惟一不滿意的是女主角吧:p
鋼琴配樂加上美麗的英格蘭風光,要我看幾次都願意啦,看完之後還跟妹妹一直討論個沒完,這種"中邪"的情況還會持續一陣子吧 可惜翻譯好像有點錯誤?希望是我自己聽錯,然後又覺得台灣的好像又有剪片, 預告有一段,電影裡完全沒出現,看來以後連美版的dvd都要入手才行了

在凱薩琳迪包爾夫人家裡的經典場面加對話XD
 憂鬱迷人的MR.DARCY(MATTHEW MACFADYEN)迷死人啦XD

義大利杜林冬運定2月10日揭幕，後天進入倒數一個月。建築工人正為選手村加緊施工。 杜林冬運一直「搞神秘」，許多內情諱莫如深。例如據說100萬張門票裡，已售出58萬5000張，但事實上只有40%落到觀眾手中，其餘60%被贊助廠商、各國奧會、各個體總及其他團體拿去。約21萬5000張門票是賣給義大利自己人，其中又近半數是在杜林及周邊地區。
好懷念在TORINO時,那個廣場上冬運倒數的大型手錶哦

迪士尼出品,老少咸宜~去環球趕首映晚場,上映之後15分鐘還一直不斷有一大坨人進場,螢幕字幕都被擋住,旁邊的情侶很吵,一直哇哇叫 幸好,電影我覺得好看,沒有悲傷的結局,特效很棒, 常吵嘴但又相親相愛的四兄妹,大哥氣質好像威廉王子而小妹露西表情豐富好可愛哦,是裡面最搶戲的 雖然有人批評難看,但看電影自己喜歡就好,不用想太多吧~TILDA  SWINTON演的白女巫氣勢十足,好心人羊吐納思和小露西的友誼,讓我也好想當他的好朋友哦 戰爭場面也好特別,人馬軍隊加上一群動物,幸好不會想到 魔戒:P tcb
吐納思和鬼靈精的小露西
白女巫和隨從(他肯定有演魔戒哈比人的替身啦,亞拉崗還常被他碎碎唸呢)

偶然在義大利版GQ雜誌上看到吉拉迪諾代言ZEGNA~真是帥呀
以下是來自FASHIONGUIDE的介紹
Zegna青春俊俏無敵新面孔
義大利Ermenegildo Zegna憂鬱王子型的影帝代言人Adrien Brod兩年期滿下台一鞠躬，換上台灣可能稍感陌生的墨西哥影星Diego Luna、鋼琴家歌手雙身分Peter Cincotti，以及足球明星Alberto Gilardino擔任最新一季全球形象代言人，共通點是俊俏英挺，義大利公司以「融合Zegna的DNA」直稱，算男裝最捨得在代言人砸錢的異類品牌。
精品愛藝術，更愛提攜藝文人士，三位新科廣告明星各有傲人長才，Diego Luna從公路電影「你他媽的也是」(Y Tu Mama Tambien)竄起，後以「航站奇緣」(The Terminal)及全新「Dirty Dancing：Havana Nights」成為好萊塢新勢力，不走劍光血影動作路線，男士不一定注意得到這位明日之星，風花雪月韻事，是曾與年輕貌美的「偷香」女演員Natalie Portman傳出誹聞，即可拉抬不少印象分數。
Peter Cincotti曾以不到21歲姿態，奪下英國Billboard排行榜第一名，Alberto Gilardino則是繼貝克漢和Calvin Klein內衣代言人Freddie Ljungberg，躍上時尚舞台的超man足球明星；三人各有專屬代言系列，運動員想當然爾是Sport系列，Diego Luna為Z Zegna，Peter Cincotti則是Sartorial系列。
Zegna從織布廠起家，擁有百年歷史，近年力求年輕化，頻打明星代言人是手段之一；春夏幾個重點，亞麻材質、貼袋與肘部貼片，米灰色當道，運動系列從高爾夫球場與海洋擷取靈感，推出大量綠、藍、象牙白、石灰色與黃紅色單品；最時髦的Z Zegna則以羅馬、紐約、倫敦與聖卓佩斯四都市為目標主題。
讓人聯想到偉士牌與富家公子哥兒的「羅馬」，推出皮織布料的緊身外套、綴有緞質鈕釦的水洗羔羊或是駝鳥皮衣，呈現時髦運動味兒；「紐約」路線則以低調別致的灰、白、薰衣草打造商業菁英的形象；「倫敦」是紳士的世界，黑棕白的單扣晚禮服，全在此主題打轉，「聖卓佩斯」則以清新取勝，淺藍、粉紅、蘋果綠..，在無裡襯西裝鮮嫩著裝，用色不比女裝遜色，只看男士有無這個色膽囉！
◎圖片來源／Zegna 文字撰寫／FIONA

征戰多年的那片綠茵，相伴多載的那雙戰靴，對於一位足球戰士來說，都是難以割舍的，那里曾經寄托了他們的夢想，承載了他們的輝煌。“天下沒有不散的筵席”，離開總是不可避免的，過去的豪情，今天的無奈，在離別的時刻都化為一句摯言，一行熱淚。2005年，眾多昔日的名將選擇了告別，綠茵場當然不能忘卻他們。 1、巴蒂斯圖塔：戰神代表激情 3月14日，現年36歲的阿根廷著名球星加布里埃爾﹒奧瑪爾﹒巴蒂斯圖塔在卡塔爾正式宣布掛靴。他動情地說：“我正式宣布退出職業足球。感謝所有幫助過我的人，正是他們的幫助使我的足球生涯取得了如此的成功。”從此，綠茵場上再也不能見到激情四射的戰神了，留下的只有佛羅倫薩的那座“蝙蝠俠巴蒂”的雕塑。
超級戰神，綠茵烈魂，進球無數，激情永存。 巴蒂斯圖塔資料： 出生日期：1969年2月1日

(足球)卡卡迎娶美嬌娘     巴西球星卡卡（Kaka）23日晚間在巴西聖保羅舉行婚禮，迎娶交往多年的女朋友卡羅琳塞莉珂（Caroline Celico），他在義大利AC米蘭與巴西國家隊的多名隊友都來參加了這場盛會，卡卡在婚禮上親吻卡羅琳，是結婚典禮上絕對不能少的鏡頭。
由於卡卡與新娘都是虔誠基督徒，他們選擇在聖保羅一所教堂舉行婚禮。卡卡表示，婚後將與妻子定居在義大利，希望能一直在米蘭踢球
好個金童配玉女啊~~

劇情簡介

十歲就跟著父親、祖母偷渡越過美墨邊境的小男孩桑提亞哥身邊只帶了一顆足球以及一張世界盃足球賽的照片，足球是桑提亞哥的全部。但是身為非法移民桑提亞哥雖然很會踢球卻不能如願，他只能跟著固執的父親到處幫洛杉磯地區的有錢人家清掃家園賺取微薄的薪水。

一天來自英國的退休足球員發現了桑提亞哥的天份鼓勵他前往足球運動發展蓬勃的英國闖天下，桑提亞哥在父親的極力反對下終於還是離家出走一個人前往英國挑戰自己的極限。

桑提亞哥到了英超勁旅─紐卡素的主場聖詹姆斯球場準備參加賽前選秀會，不幸的是，英超畢竟是世界級的足球殿堂，桑提亞哥的球技在這群臥虎藏龍的未來頂尖選手陣中差點突顯不出來，他也領悟到除了天份之外，勤奮的練習才是在職業足壇有立足之地的重要關鍵。

桑提亞哥在發揮潛力之後，在最緊張關頭幫助紐卡素順利晉級季後賽(應該是和利物浦搶歐冠門票)，也成為紐卡素的英雄。接下去，桑提亞哥將在第二集當中帶領紐卡素隊勇闖英格蘭超級足球聯盟季後賽。

 (FROM 中文官網)

CHANNEL V每週六晚間9點播,己經變成每週和"名模生死鬥"一樣, 變成固定收看了
每集都是非常養眼睛,雖然我喜歡的男模, 竟然第一集就被淘汰了,有些男模私生活實在不太檢點,
不過我最討厭的就是那個"臥底"男模KEVIN,自己也很不檢點,每次看他批評其他人那付樣子,實在
無法苟同
我喜歡但己經被淘汰的JOHN STALLING,眼睛很美的GAY