目前分類:電影 (34)
- Nov 25 Sat 2006 04:08
想看的電影--the holiday
- Nov 25 Sat 2006 03:55
想看的電影--香水(perfume)
- Nov 16 Thu 2006 17:10
卡洛斯索拉之響舞
看了一直起雞皮疙答,每看完一段就很想用力鼓掌,不過怕被當瘋子還是忍住了,前面有幾段還蠻悶的,有段用大型塑膠布來表現的,看了很有壓迫感,感覺他們已經把舞蹈融入了靈魂了吧,每一個舉手投足都非常強烈,連指尖,腳趾都在跳舞的感覺很讚的紀錄片!
- Feb 15 Wed 2006 02:38
英國版p&p dvd封面
- Feb 15 Wed 2006 02:24
P&P的dvd美國2月28日要發行囉
- Jan 29 Sun 2006 04:46
馬修麥迪恩的訪問
It's the role that's made many a steely woman swoon: but has Matthew Macfadyen - a self-professed 'pudding head' - got what it takes to play the dashing Mr Darcy on the big screen? Absolutely, says Marianne Macdonald In pictures: Pride and Prejudice Matthew Macfadyen is the new Mr Darcy in Working Title's forthcoming film of Pride and Prejudice – and he is clearly stunned by the electrical storm he has already generated. At the end of a day of international press in a West End hotel he has the dazed look of a man who has been hit hard about the head. 'I guess I'm bemused,' he admits in his deep voice, rubbing his head rather wearily with his hand. 'I didn’t understand it was such a big deal playing Darcy. To me it was just another job. In terms of how daunted I was, playing Prince Hal [in Henry IV at the National Theatre] was terrifying – much more so than playing Darcy.'
Had he read the book? 'No. And I hadn’t seen the Colin Firth version. I just knew Mr Darcy was Mr Darcy. So I had no preconceptions. And I wasn't burning to play Darcy. Perhaps I shouldn't say that. I think if I'd read the book, I'd have thought, "F— it, it's one of those parts."' He trails off. Has he seen the Firth version now? 'No. We've got it. I got it from my folks. It's in the video pile. So one day, when the family are all out, I'll probably sit down and watch it. But I just haven't. I'm not that curious, really.' Macfadyen talks at the lowest possible pitch, rarely finishing his sentences. He fixes his gaze on the window or the floor as he tries to dig up the word for whatever he wants to say. The 31-year-old genuinely seems to be amazed that he is just about to become the nation's new sex symbol, though anyone could have warned him what would happen if he took the role of the proud heir to Pemberley opposite Keira Knightley’s Elizabeth Bennet. He admits himself that he can see the attraction of Darcy. 'Yes, he's terribly attractive, because he's…' He trails off. 'But I can’t see myself as a sex symbol in that role. Not at all! I never – it's hard, isn't it, because I never… Like, the actor in me would always like to be more dashing, or slimmer, or have nicer hair. You know what I mean? I see pictures of Colin Firth and think, "That’s Darcy." I see my big face and my funny hair and I think, "Pudding head!"' He bursts out laughing. Does he see himself as good-looking? 'Um. No. Not classically good-looking.' Could he pull women when he was single? 'No! I wasn’t chatty-uppy.' Why not? He gives a faint, wry smile. 'Not confident enough.' I must say that I thought yet another Pride and Prejudice was a rather yawn-worthy prospect – Colin Firth's turn as Darcy seems only yesterday. That television series (it was, in fact, ten years ago) set the critical standard. But, unexpectedly, the Working Title version is sublime, intimate, glorious. Keira Knightley is good as Lizzie, but Macfadyen as Darcy is a revelation. He makes the part his own. Far better than Firth. Macfadyen's Darcy is wounded, boyish, broken. Stiff with inhibition, his face misshapen, his eyes eerie distant chips of light blue, he is magnificent. His sexuality is far more understated than Firth’s, but no less powerful. But this should come as no surprise to discerning viewers. Macfadyen isn't an A-list star – yet – but his intelligent, brooding performances on stage and on television – as Hal in the recent Henry IV at the National Theatre, as Tom (Quinn) in the spy series Spooks, as the Labour special advisor Paul Tibbenham in the BBC drama The Project, and as the traumatised war photographer Paul Prior in the recent New Zealand indie film In My Father's Den – have marked him out as an actor of true passion and substance. In person, however, he is very different from his brooding alter ego. For one thing he is more chunky – he must have put on a stone since filming. But mostly more ordinary. He is not at all the broken man with bloodhound eyes who endures Keira Knightley's rejection in the driving rain. Incredibly nice, and honest, and mild, you could mistake him for a classic public schoolboy – if it wasn’t for the razor-sharp sensitivity and unusual thoughtfulness. He keeps tugging at his baggy linen shirt in a nervous gesture and at one point hugs a cushion to his chest. 'I had an idea that Darcy was like the adolescent at the party who's terrified,' he says. 'Who's, you know, quite popular, but who thinks very deeply and is terribly shy.' Is he like that himself? 'Probably there are bits of it in me. I was quite a shy child. I would get terribly nervous and throw up before my birthday party. And then I would be fine. I feel the same now. I get nervous, then it’s fine.' And the thinking deeply? He laughs. 'No, I think I think less and less deeply as life goes on!'
Although Pride and Prejudice has been adapted five times for television by the BBC, it has only been made into a film once, in 1940, with Laurence Olivier as Darcy. Working Title auditioned more than 100 twentysomething actors before casting Macfadyen. 'They saw a bunch,' he agrees. 'Then I met Joe [Wright, the director]. And read. Then I was told it was all off. With me. I think they wanted names. And I thought, "That's fine." Then it was on again. Because they had Keira. So I went and read with her. And screen-tested. And waited a long time!' Was he thinking it was a good job to get? 'Yes. Because it's Working Title. It would be a big career step. You think, careerwise, "That would be quite clever." But you think, "It's Darcy, so the knives will be out." I remember someone saying to me, "I’m sure a lot of actors have passed on it because it’s been done so…"' His sentence, characteristically, trails off. 'Though I don’t know why they would.' I ask how he got on with Keira Knightley. 'She was a delight,' he says. 'She came straight on to the set from one film, and was going straight off to the next. And she was fantastic. So self-possessed and connected.' But they didn’t have jolly nights in country pubs while on location. 'Because I wasn’t there very much. I felt a bit po-faced sometimes, because I'd turn up and do a scene and go back to London. And Keeley, my wife, was pregnant at the time, so I sort of dropped in. He's not in it that much, Darcy, actually. And they gave me a personal trainer. So he'd turn up at my house and I'd have to go running. So it was vodka slimline in bed watching f—ing Newsnight worrying about Keeley and whatever was in her tummy.' The actress Keeley Hawes is his wife of three years. She was pregnant with their daughter Maggie during the shoot. In fact, Macfadyen's only previous experience of serious press attention was when she left her husband for him after they fell in love on the set of Spooks. Hawes had been with the freelance cartoonist Spencer McCallum five years, but they were only married eight weeks at the time; she and McCallum had a 20-month son called Myles. Paparazzi staked out the house. 'I realised the mistake I'd made and where I should be, and where I wanted to be, so I did something about it,' is how Hawes explained it in a recent interview. 'It was a bit weird,' Macfadyen admits now, of the press frenzy. 'You never think it's going to happen to you.'
Was their falling in love romantic? 'It was. But difficult.' What attracted him? 'I don't know. I just thought, "Oh, God! Here we go!" Just that feeling! She's lovely and funny and all the rest. But I just thought, "Phwoar! Fancy you!"' Did he fall in love easily? 'Yes. I like being in love, if you know what I mean. More than not.' But he didn't expect it to happen in those circumstances? 'No. No!' I tell him Keeley had said recently that he wasn’t very romantic, and he gives a great bark of laughter. 'Did she? Because my vanity is I'm terribly romantic!' He grins. 'But being married is lovely. Keeley's been in Jersey recently doing a Thomas Hardy. So I’ve been going back and forth with the little ones.' Their daughter Maggie is two. 'She's bliss,' her father says with delight. Macfadyen and Hawes and the children live near Twickenham and he would love to have more, he admits. He says he is much happier 'cooking and faffing round' at home than going out. When I ask him to describe his perfect day he paints a domestic picture: 'Wake up, have a bowl of porridge, play with the kids. I would surprise Keeley and take her somewhere, very quickly.' If you hadn't seen him perform, it would be hard to believe there was much going on in there at all from his tentative manner and sweet-natured smile. But the mildness hides a steely ambition. Macfadyen was awarded a drama scholarship at his boarding-school, Oakham School in Rutland, and went straight from there to Rada aged 17. His mother Meinir (her name is Welsh) is herself an actress turned drama teacher. He remembers her directing him in a holiday production when he was at school. But he says firmly she wasn't an inspiration. 'I don’t think what she did would have made any difference. She wasn’t pushing me in the wings, and she never taught me.' Did she give him notes now on his performances? 'No!' He finds the idea absurd. 'No, they're lovely, my folks, very sweet.'
Macfadyen spent his twenties doing the classics. He joined the acclaimed theatre company Cheek by Jowl in 1995, the year he left Rada, and made his debut as Antonio in The Duchess of Malfi. The following year he starred with the Royal Shakespeare Company as Demetrius in A Midsummer Night's Dream at Stratford. He then did a lot of touring, bits of television, and had supporting roles in films including Maybe Baby (2000) and Enigma (2001). 'I'd work solidly throughout the year and be in debt at the end. Always,' he says. 'But it was great.' He pauses. 'I've worried more and more as the years have gone on. The more you're seen to be doing well, the more stress there is. You feel you ought to consider things more, and be more fussy – there’s further to fall. All these little worries.' But they surely aren't justified. In 1999 Macfadyen was nominated for a National Theatre Ian Charleson Award for best classical actor under 30. In July he won the best actor award for In My Father's Den at the New Zealand Screen Awards. I ask what is next and he says maybe a little indie film in Ireland, but he doesn't know. I ask if it's true the Bond producers have approached him. 'Yes, they might have,' he admits. 'I don’t know about Bond. It's a weird one, isn't it? It's a bit camp. A bit kind of… It would change your life.' What he really seems to want is to play the great classical parts. Though Hollywood is also an option. 'It would be blissful to do a play and then a film. Because after 140 shows you’re longing to be picked up and given a cup of tea! We get terribly excited about the idea of lots of money but quite reassuringly think…' He trails off, again. 'Because if you really wanted to be rich, you could stay doing a series. You could put yourself up for Hello!' As I leave he says, 'Do you really think this movie will be big?' I do, I say. I think it will make you really famous. 'It's bizarre!' he says. And as if he can't stop himself, he gives a great boyish grin of wonder and delight.
1938 Andrew Osborn is Darcy in the first of six BBC adaptations, which races through the plot in just 55 minutes 1940 Laurence Olivier takes the role in Aldous Huxley's adaptation for MGM and is marvellous despite his qualms. 'It was difficult to make Darcy anything more than an attractive-looking prig,' he said 1952 Peter Cushing brings a chill to proceedings as the BBC’s second haughty hero 1958 The BBC again, this time with Alan Badel in the lead. Jane Austen, noted one critic, would have 'switched off and listened to a pianoforte recording instead' – had she had a gramophone, of course
1995 Colin Firth – a lake, a wet shirt, those sideburns. No more needs to be said 2001 Firth returns as Darcy in the film of Helen Fielding's modern fantasy, Bridget Jones's Diary 2003 Orlando Seale brings a British stiff upper lip to a Mormon adaptation, set in Salt Lake City and punningly entitled: Pride and Prejudice: a Latter-Day Comedy 2004 Martin Henderson, a graduate of the Australian soap Home and Away, is cast opposite former Miss World Aishwarya Rai in Gurinda Chadha’s Bollywood confection, Bride and Prejudice |
- Jan 29 Sun 2006 03:53
超讚的"傲慢與偏見"
抱著超期待的心情去看首映晚場, 果然沒讓人失望, 戲院的觀眾也很捧場, 大家都笑得很開心,連男生也不例外,看完又衝下樓和妹妹繼續看第二遍我瘋了我瘋了, 但就是好看,讚呀!!!!!
結局好浪漫呀!我喜歡, 浪漫到讓人有點不好意思 以前就很想看有沒有人可以拍他們結婚後的樣子,雖然也只有一點點但我很爽了,演達西的我都會煞到嗎?XD 和柯林佛斯一樣, 剛開始看95年BBC版本的傲慢與偏見, 第一眼就覺得"哇咧..好醜",後來也是越看越耐看,甚至還成了他的影迷, 馬修麥迪恩也好不哪去,現在也是被他迷死了 好迷人又藍得好憂鬱的眼神啊, 綺拉耐特莉也演的不錯, 最搶眼的要算班納特夫婦了吧, 果然薑是老的辣, 反派威卡的戲真少, 不過金髮藍眼又綁個馬尾, 也比BBC的威卡更符合多了,演柯林斯表哥的也演的恰如其分,幕後訪問覺得他蠻會自嘲的,可惜大姐jane的台詞和戲分都少, 演賓利先生的只會可愛的傻笑,演賓利小姐的真是夠漂亮冷酷, 我惟一不滿意的是女主角吧:p
鋼琴配樂加上美麗的英格蘭風光,要我看幾次都願意啦,看完之後還跟妹妹一直討論個沒完,這種"中邪"的情況還會持續一陣子吧 可惜翻譯好像有點錯誤?希望是我自己聽錯,然後又覺得台灣的好像又有剪片, 預告有一段,電影裡完全沒出現,看來以後連美版的dvd都要入手才行了
- Jan 03 Tue 2006 12:55
納尼亞傳奇:獅子、女巫、魔衣櫥 The Chronicles of Narnia: The Lion, The Witch and The Wardrobe
吐納思和鬼靈精的小露西
白女巫和隨從(他肯定有演魔戒哈比人的替身啦,亞拉崗還常被他碎碎唸呢)
- Nov 22 Tue 2005 23:56
最近看的電影--你他媽的也是&聖境沈淪
GAEL GARCIA BERNAL的二部較早的電影, 不同類型,不同感覺, 一樣的是演技仍是那麼出色的賈西亞
自私怯懦的神父和熱情奔放的少年 (待續:P)
- Nov 14 Mon 2005 00:40
壞教慾演員小檔案
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- Nov 14 Mon 2005 00:20
最近看的電影(三)革命前夕的摩托車日記
- Nov 14 Mon 2005 00:13
最近看的電影(二)壞教慾
- Nov 01 Tue 2005 15:24
2006傲慢與偏見
- Oct 12 Wed 2005 11:39
最近看的電影(一)新天堂樂園完整版